“so a word to the wise’: reassessing the role of the upper-class Irish father in nineteenth-century childrearing’

The Perceptions of Pregnancy blog, like the Researchers’ Network, aims to reach beyond boundaries and borders, and to facilitate an international and interdisciplinary conversation on pregnancy and its associated bodily and emotional experiences from the earliest times to the present day. This week Judy Bolger writes about a father´s involvement, through written advice, in the upbringing of his children.

‘So a word to the wise – Your mother says asses’ milk – or Breast milk given on a spoon’ wrote John D’Alton to his wife Catherine in 1819.[1] Though spending much of his family’s early years away from home, John’s surviving letters demonstrate that he was still very much engaged with his children’s feeding habits and their daily lives in Summerville, Dublin during the early nineteenth century.[2] Through these various references about his children, an alternative representation of the father is reconstructed. Much scholarly attention toward the period has reinforced the severity of the public and private divide amongst women and men.[3] However, such a sweeping generalisation about the gender norms of the period may not be as clear-cut as we have understood. In a nuanced manner, these letters not only showcased John’s engagement with his children’s rearing, but also his advice and interest in tasks that have hitherto been deemed outside his gender’s concern. Therefore, the extracts from the letters blur the lines between the traditional roles within the nineteenth-century upper-class Irish family.

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A Roman Amulet for Protection in Childbirth

The Perceptions of Pregnancy blog, like the Researchers’ Network, aims to reach beyond boundaries and borders, and to facilitate an international and interdisciplinary conversation on pregnancy and its associated bodily and emotional experiences from the earliest times to the present day. This week, Adam Parker discusses a roman phylactery created by a mother for her pregnant daughter as protection during childbirth. 

 

Discovered by a metal detectorist in 2007 in South Oxfordshire, UK (PAS: BERK-0B6771) this small, inscribed gold sheet is a truly interesting insight into the material strategies of personal protection in Roman Britain. A translation of the text inscribed upon the sheet reveals that this is a phylactery (a protective, magical charm) created by a lady named Terentia to protect her daughter Fabia during childbirth (Tomlin 2008).

The rectangular sheet is tiny. It measures 63.1mm x 28.3mm and weighs 1.41g. The text is all written on one side and is organized in sixteen lines of Greek writing. Although this is the Roman period and we might expect it to be Latin, there are lots of Greek texts from Britain – it might suggest that Fabia had spent time elsewhere in the Roman Empire

 

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Controlling the Narrative: Beyoncé’s Pregnancy Photoshoot, Part 2

The Perceptions of Pregnancy blog, like the Researchers’ Network, aims to reach beyond boundaries and borders, and to facilitate an international and interdisciplinary conversation on pregnancy and its associated bodily and emotional experiences from the earliest times to the present day. This weeks post is part two of Chelsea Phillips’ conversation about Beyonce’s recent pregnancy photo shoot.

On 1 February 2017, Beyoncé Knowles-Carter announced that she was pregnant with twins on Instagram, sparking a social media frenzy. The initial image was quickly revealed to be part of a photo shoot by the artist Awol Erizku. In early April, I sat down with a group of friends and colleagues to discuss the shoot: art historian Tim McCall, performer and playwright James Ijames, and pop culture maven Ashley Leamon joined me.

What follows is Part Two of that conversation. You can read Part One here.

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