“For ourselves, for our house, for this”

The Perceptions of Pregnancy blog, like the Researchers’ Network, aims to reach beyond boundaries and borders, and to facilitate an international and interdisciplinary conversation on pregnancy and its associated bodily and emotional experiences from the earliest times to the present day. In this week’s post Jeni Buckley considers the  representations of motherhood and pregnancy in Game of Thrones

“For ourselves, for our house, for this”: Dialectics of Maternal Imagination in HBO’s Game of Thrones

Motherhood is a major trope of Game of Thrones, the narrative perhaps most famous for characters such as Daenerys Targaryen; ‘Mother of Dragons’, and Cersei Lannister; the sociopathic queen mother. The HBO television series, based on the novels of George R R Martin, is now a global obsession which arguably outstrips interest in Martin’s seven-book series ‘A Song of Ice and Fire’. Academic interest in the phenomenon is also gaining momentum; this month will see the first international Game of Thrones conference at the University of Hertfordshire, where the George R. R. Martin Society will also be officially launched. My own interest in Game of Thrones centres on the way that pregnancy is presented in the series. For example, the seventh and most recent television installment of the franchise featured the announcement of Queen Cersei’s illegitimate and incestuous pregnancy with her brother-lover, Jamie Lannister. Given the show’s focus on the question of royal succession, it is perhaps inevitable that the issue of pregnancy receives attention; however I want to highlight the way that the representation of highborn pregnancy in the series is part of a wider discourse of maternal imagination and responsibility.

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The Disembodied Mother

The Perceptions of Pregnancy blog, like the Researchers’ Network, aims to reach beyond boundaries and borders, and to facilitate an international and interdisciplinary conversation on pregnancy and its associated bodily and emotional experiences from the earliest times to the present day. In this week’s post Rachel Botha considers the visual representations of mothers in debates surrounding abortion.

The Disembodied Mother: the representation of motherhood in the visual
culture surrounding the abortion debate.

According to the Eighth Amendment in the Constitution of Ireland the right to life of the unborn is equal to the right to life of the mother. This legislation is ultimately transferred to the visual culture that surrounds the brewing debate of abortion in Ireland. In this piece I shall be honing in on the impact of visualising the foetus, and how it essentially disembodies the pregnant woman to exaggerate ‘life’- the life of the foetus as a separate entity to the mother.

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Controlling the Narrative: Beyoncé’s Pregnancy Photoshoot, Part 2

The Perceptions of Pregnancy blog, like the Researchers’ Network, aims to reach beyond boundaries and borders, and to facilitate an international and interdisciplinary conversation on pregnancy and its associated bodily and emotional experiences from the earliest times to the present day. This weeks post is part two of Chelsea Phillips’ conversation about Beyonce’s recent pregnancy photo shoot.

On 1 February 2017, Beyoncé Knowles-Carter announced that she was pregnant with twins on Instagram, sparking a social media frenzy. The initial image was quickly revealed to be part of a photo shoot by the artist Awol Erizku. In early April, I sat down with a group of friends and colleagues to discuss the shoot: art historian Tim McCall, performer and playwright James Ijames, and pop culture maven Ashley Leamon joined me.

What follows is Part Two of that conversation. You can read Part One here.

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Concealing and Revealing: Beyoncé’s Pregnancy Photo Shoot, Part One

The Perceptions of Pregnancy blog, like the Researchers’ Network, aims to reach beyond boundaries and borders, and to facilitate an international and interdisciplinary conversation on pregnancy and its associated bodily and emotional experiences from the earliest times to the present day. In today’s post Chelsea Phillips writes about Beyonce’s recent pregnancy photo shoot.

On 1 February 2017, Beyoncé Knowles-Carter announced that she was pregnant with twins on Instagram, sparking a social media frenzy. The initial image, laden with symbolism, was quickly revealed to be part of a larger, fully-produced pregnancy photo shoot by the artist Awol Erizku. In early April, I sat down with a group of friends and colleagues to discuss the shoot. The conversation ranged from its historical and contemporary artistic influences, to Beyoncé’s performance of pregnancy, identity, race, and culture; what follows is a partial transcript of that conversation.

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Pregnancy in Prison – Past and Present

The Perceptions of Pregnancy blog, like the Researchers’ Network, aims to reach beyond boundaries and borders, and to facilitate an international and interdisciplinary conversation on pregnancy and its associated bodily and emotional experiences from the earliest times to the present day. Today’s post from Rachel Bennett explores maternity care in the early days of female-only prisons.

Following one of her early visits to Newgate prison, Elizabeth Fry noted that “nearly three hundred women with their numerous children, were crowded [in the cells of the prison]; tried and untried, without classification, without employment, and with no other superintendence than that given by a man and his son, who had charge of them day and night.”[1] Mrs Fry would go on to help establish the Association for the Reformation of the Female Prisoners in Newgate and, later, the British Ladies’ Society for Promoting the Reformation of Female Prisoners. She also gave evidence to the 1818 House of Commons Committee on prison conditions. Among other things, during her work she advocated for the more tailored treatment of female prisoners based upon tenderness and religious instruction and argued that this more feminine approach needed to be delivered by female prison attendants.

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‘Am I Pregnant?’: Women’s Magazines as a Source of Information

The Perceptions of Pregnancy blog, like the Researchers’ Network, aims to reach beyond boundaries and borders, and to facilitate an international and interdisciplinary conversation on pregnancy and its associated bodily and emotional experiences from the earliest times to the present day. Today’s post from Ciara Meehan explores women’s magazines as sources of information about pregnancy in a pre-digital age.

When I was fifteen, I had intercourse. I’m nineteen now and though I get periods regularly I wonder if I could become pregnant as a result of what happened then.[1]

 When I was twelve years old my brother and I did something very wrong. Only a year later did I realise how wrong it was. That is five years ago now and I never told my mother. I have regular periods, but fear that I might become pregnant as a result of what happened. I have symptoms which worry me greatly … Do you think I might have cancer?[2]

 I am sixteen and something wrong happened me when I was about twelve. I didn’t know then that it was wrong and now I worry, as my ankles swell and I notice my eyes get black. I have regular periods, but could I have some infection? I’m afraid to tell my mother. Could I be pregnant?[3]

 These three letters, written by teenagers who feared pregnancy years after intercourse, are deeply disturbing. They reveal a complete lack of understanding about how pregnancy occurs and the length of the gestation period (while also implying, in one case at least, that sexual abuse took place). Letters about becoming pregnant after a significant length of time are not a regular occurrence in the Irish women’s magazines of the 1960s that I have been examining for my current project, but they do speak to a bigger, more frequent issue – complete bewilderment about pregnancy.

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Book Competition Winner!

competition-oneCongratulations to Mark Benson on winning the Perceptions of Pregnancy book giveaway. Mark’s choice of blog post was Laura Neff’s post on Missing Mothers. Maternal deaths in the United States.

Mark is a final year PhD researcher at Queen’s University, Belfast examining a history of ‘the provision of abortion in Northern Ireland, 1900-1968’. Supervised by historian Professor Mary O’Dowd and sociologist Dr Lisa Smyth, the project uses medical archives and court records to explore the changing landscape of legal, illegal and ‘discreetly’ legal procedures sought out by women and their partners.

In addition to the above,  he works acompetition-twos a tutor with QUB’s social inclusion department, the widening participation unit. The WPU focuses on A level students from low income backgrounds who are categorised as ‘those most able but least likely’ to attend university. His other projects include co-developing a new interdisciplinary module highlighting the histories of groups and topics traditionally marginalised by Irish society and often overlooked by academia.

He will be letting us know what he thinks of the collection after he submits his thesis.

Congratulations again from the Perceptions of Pregnancy team