Open the womb to receive seed again

The Perceptions of Pregnancy blog, like the Researchers’ Network, aims to reach beyond boundaries and borders, and to facilitate an international and interdisciplinary conversation on pregnancy and its associated bodily and emotional experiences from the earliest times to the present day. This week Amy Kenny explores why superfetation was removed from The Comedy of Errors.

“Open the womb to receive seed again”: Removing superfetation from The Comedy of Errors

In the source material for The Comedy of Errors, Alcmena becomes pregnant with twins fathered by two different male suitors, a medical condition known as superfetation.[1]  Those familiar with The Comedy of Errors will recall no such plot twist in Shakespeare’s play.  So what accounts for the change in dramatizing gestation? What can this switch suggest to us about the play’s portrayal of pregnancy and twins?  Throughout the early modern period, multiple births were often considered suspicious because they played on the cultural anxiety surrounding gratuitous female sexuality.  If a woman could commit adultery even while pregnant, fathers feared the paternity of their heirs.

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CFP: Early Modern Works by and about Women: Genre and Method

When: 4-6 November 2016
Where: McGill University, Montreal, QC, Canada
Deadline: 31 March 2016

This interdisciplinary workshop aims to bring together scholars working on one or both of the following:

  • Questions concerned with the methods of women writing in the Renaissance and Early Modern period, and of men writing pro-woman works at the same time: the use of argument, evidence, literary, theological and philosophical authority, exempla, rhetorical devices, intellectual exchange, and methodological approaches (e.g. skeptical, on the basis of natural philosophy, fantastical).
  • Questions concerned with the genre that women chose for their work and that men chose for articulating pro-woman positions, whether poetry, polemical treatise, dialogue, or epistolary forms.

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