Motherhood as rite of passage

The Perceptions of Pregnancy blog, like the Researchers’ Network, aims to reach beyond boundaries and borders, and to facilitate an international and interdisciplinary conversation on pregnancy and its associated bodily and emotional experiences from the earliest times to the present day. This week, in the second of a two-part series, Margaret O’Connor explores women’s decision making processes. (part one available here)

Motherhood as rite of passage – What about the rest of us?

As discussed in a separate post, motherhood is a powerful concept which affects women throughout their lives, both by its presence and absence. It can now be a conscious choice, theoretically at least. There is increasing accessibility to reproductive technologies for people with fertility issues. Meanwhile, there is a growing proportion of women who actively choose not to become mothers. This choice is relatively new.

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Stage Mothers: Women Work and the Theater, 1660-1830

The Perceptions of Pregnancy blog, like the Researchers’ Network, aims to reach beyond boundaries and borders, and to facilitate an international and interdisciplinary conversation on pregnancy and its associated bodily and emotional experiences from the medieval to the modern. Today’s post from Chelsea Phillips reviews a new edited collection on women in the theatre.

Stage Mothers: Women Work and the Theater, 1660-1830. Edited by Laura Engel and Elaine M. McGirr. Bucknell University Press (Rowman and Littlefield), 2014.

This collection offers a broad range of approaches to the intersections of maternity and theatre that will appeal to scholars of the eighteenth century and beyond. For our members, the detailed unpicking of familiar narratives (literary or in the form of conduct and advice manuals), from the realities of working mothers, will be of greatest interest.

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